New Release: The Weather Station – “All of It Was Mine”

New Release: The Weather Station – “All of It Was Mine”

June 24, 2011 | Posted in: The Weather Station 0

This album was recorded stereophonically. The vocals were reproduced through a Royer 122 Microphone; rhythm, Royer 121; violin, apex 210; and guitars, Royer 121, Sennheiser 421. The session was recorded in December 2010.

At first glance, the second record by The Weather Station is a humble thing, gentle, warm. The elements are simple, finger-picked acoustics and three part harmonies, an unexpected snare drum, a stray electric guitar – the very opposite of songwriter Tamara Lindeman’s first record, the painstakingly arranged and darkly expansive The Line. And yet, All of it Was Mine is a record that appeared stubbornly.

She’d entered a studio, attempting a follow-up but was getting nowhere. Trying to do too much to the songs, trying to make them into something they weren’t. So, she took up Daniel Romano on his long-standing offer to record a few demos at his home studio in Welland, ON. The two played the songs one by one, arranging on the spot, recording with a couple of ribbon mics to a digital 8 track. From time to time, the incomparable Misha Bower (Tamara’s bandmate in Bruce Peninsula) came downstairs to sing harmonies.

Freed of expectation and ambition, safe in the hands of friends, the songs revealed themselves as folk songs, and it started to come easy. A good record is all timing, and this one was caught at just the right moment – the moment when a musician sets aside old habits and expectations, strips away the excess and finally just gets to the guts of the matter. In a matter of days, studio album abandoned, there was the record.

Lindeman’s lyrics stay close to home, detailing a creaking house in disrepair, a quiet side street, a seemingly idyllic summer; but also the heartache that comes in slyly, inexorably, as it always does, softly, like the moths that attack the flour. It’s beautiful, certainly, unabashedly so, but unsettled, all creeping nature, dirt and sweetness, accusation and acceptance. Short, small in scope, and curiously complete. Ten songs doing nothing more than speaking for themselves, quietly perhaps, but with grace, not one word out of place.

Polaris Prize Longlist

June 20, 2011 | Posted in: Daniel Romano, News, Shotgun Jimmie 0

Congratulations to Shotgun Jimmie and Daniel Romano – Transistor Sister and Sleep Beneath the Willow have been named to the 2011 Polaris Prize long list! And also to our good pals Frederick Squire (of Daniel, Fred, and Julie) and the Luyas for their nominations. We couldn’t be any happier, and have got all available fingers crossed for an invite to the party – because we like parties.

New Release: Baby Eagle – “Dog Weather”

New Release: Baby Eagle – “Dog Weather”

August 27, 2010 | Posted in: Baby Eagle, Steven Lambke 0


Dog Weather is the next great novel of my generation.”
– Paul Henderson, Chairman of the Board

Dog Weather is the new album from Baby Eagle and the latest release from You’ve Changed Records, a small Canadian label steadily building a reputation for the collaborative nature of it’s roster and the high quality of it’s product. YC co-owner and Baby Eagle songwriter Steven Lambke (Constantines) is back with a rock band featuring lablemate/co-owner Daniel Romano (Attack in Black), Shotgun Jimmie, and David Trenaman and Colleen Collins (Construction & Destruction).

The story of this record isn’t all that different from a thousand others out here. Songwriter forms a scrappy band of talented friends when their schedules allow. At the tail end of winter the aforementioned band heads to a big rural house overlooking a vast body of water. Wood is burned, dogs shit, wind howls. Meals are cooked and people sing, play instruments, and a record gets cut. Serendipity trumps bad luck.

What is different on this record, is the way its stories are told, what they describe, and the undeniable joy with which they’re played. It is a record full of natural imagery, domestic narratives and ragged characters trying to patch a wound of meaning on the world. This is a rock band shaking its wet fur dry, pulling its boot from the mud and driving another mile.

Dog Weather is the third record from Baby Eagle, and its very much of its time. Its characters standing on the other side of some fast and reckless youth, some shitty day jobs, a little scarred but settled, holding very little, outside enough love to matter. Guitars come and go like flyweights in a barnfight, the drummer is a steady, smiling underdog. “What the hell did you expect from us? What more do you want?”

Biography in the First Person:
Baby Eagle is the songs of Steven Lambke, that’s me. We discourage the term solo project and are happy in collaboration. This is something we have to do together! We, slippery devils and shadow lurkers, are not easily photographed or described. When pressed to settle upon a description we say “garage folk”. One imagines both the dusty uncovered stage in a distant corner of the folk festival, listed somewhere down the bill, misspelled, and the beer can littered basement of the punk rock show where the words are lost but the spirit remains, encoded in the noise and the having been there. We say roots, and include the protest song, the beat, and the all-ages show. (We avoid all reference to the cultural toxic of classic rock radio but are sure it remains, somewhere. That’s okay, we like that Neil Young/Bob Dylan/John Lennon song).

Steve Lambke has been in Constantines, Daniel Romano has been in Attack in Black and Daniel, Fred, and Julie, Shotgun Jimmie is Shotgun Jimmie, David Trenaman and Colleen Collins are Construction and Destruction. Together, for 3 days in January, in a house in Port Greville, NS called the Quarantine, we were Baby Eagle, one and all.

Steven Lambke and Daniel Romano are the owner/operators of You’ve Changed Records.

Dog Weather is broken bones, the public radio, the long road, the grown tall and gone to seed, the wind whistling on the lip of a bottle, the monkey in your dreams, and the two between the sheets. Dog Weather is the here and now. There ain’t no road sign at the corner, kid. You just have to know the way.

New Release: Richard Laviolette – “All of Your Raw Materials”

New Release: Richard Laviolette – “All of Your Raw Materials”

July 7, 2010 | Posted in: Richard Laviolette 0

 

Richard Laviolette writes a hundred songs a year. Songs of clever, heartfelt, rolling lyrics, sung in a strong, full voice. Echo and melody. Laviolette’s voice is a deep well of water. His lyrics are brilliant scraps of paper. Letters written home. He sings about death, anti-colonial struggle and long distance relationships.

All Of Your Raw Materials is Laviolette’s 4th Album, and his first with The Oil Spills. Originally released independently on CD in September, 2009, the album was recorded live-off-the-floor at the legendary House of Miracles in London, ON the previous summer. We got a copy at a house show in Guelph, ON, and listened to it endlessly through the fall and winter. We loved it, and we wanted everyone to hear it. You’ve Changed Records is happy to make this album widely available and to offer it for the first time on LP.

The Oil Spills are Geordie Gordon (The Magic, Barmitzvah Brothers, the Islands), Meredith Grant, Greg Denton, Mike Brooks (Kae Sun), Lisa Bozikovic, Matt Reeves, Jenny Mitchell (Barmitzvah Brothers, The Burning Hell, Jenny Omnichord). This highly talented cast step up to the plate and deliver a darling country album inspired by a childhood full of waking up on weekends to country, gospel, and bluegrass records blasting from the living room, records such as George Jones, Tammy Wynette, The Judds, Dolly Parton, Roger Miller, Lester Flatt and Earl Scruggs, Bob Wills, Neil Young’s ‘Old Ways’, and The Nitty Gritty Dirtband’s ‘Will the Circle Be Unbroken’.

Richard Laviolette has previously released Aging Recycling Plant (with the Hollow Hooves, Independent 2009), Hands and Feat(s) (Burnt Oak 2007), and A Little Less Like a Rock, A Little More Like Home (Burnt Oak 2006).

Digital and CD versions contain the songs “Body Maps” and “Two Hinges” which had to be left off of the LP version due to time constraints.

New Release: Daniel Romano – “Workin’ For the Music Man”

New Release: Daniel Romano – “Workin’ For the Music Man”

May 24, 2010 | Posted in: Daniel Romano 0

“My folks gave me up shortly after I was born. An older couple, Dwayne and Clairey Talbot, adopted me when I was five. They said that in music years they were old but that their children had kept them young. They said that I was an old soul and that they intended to raise me backwards. Dwayne played the tenor guitar and Clairey played the autoharp. They had me play the six string guitar and told me my other job was to keep the wood box full. I thought I’d been raised on music rather than born into it but when I was thirteen, the Talbots got a call from my birth parents saying they wanted to meet me. The Talbots said that was alright, “in deference to the blood in your veins,” and when I met my birth folks I was surprised they were a musical family. I visited them more and more and we started playing together here and there. Mostly, I spent the next two years trying to get my pilot’s license but as I got close to the final test I found out I was colour blind. When that happened I started drinking and one day me and my brother (my real blood brother) were shooting BBs at a pop can hanging from a tree and one of the pellets refracted off the can and hit me in the eye. I lost 70% of the vision in my left eye and when that happened, I got really depressed. Mr. and Mrs. Talbot passed away and so I decided to go back to the old house. My brothers and sisters were looking after it but no one was actually living there and so I went there. I bought a tape player and started recoding music there. I started gigging around and selling the cassette tapes offstage. I played a show in Welland, Ontario where these guys asked me to start a band with them and so I did. They said they wanted a drummer and I told them my brother can play drums and we started a band and played together for seven years. I started missing what I was doing at the beginning, the simplicity of it, and it happened that we had a long break. I went back to the same house and wrote a whole bunch of songs and then recorded them. I went to play a show on the weekend and while I was away the house got demolished. Someone in the family who I hadn’t spoken with hired a demo team to tear the house down and in the process, all the tapes got destroyed. Instead of recording the same songs over again, I wrote a whole bunch of new songs. Really it was a blessing in disguise, as they say, because the twelve songs I’d written before were dark and depressing and something about the old house being torn down was sort of a relief. Certain memories and thoughts that I didn’t even know were lingering there seemed to finally come through the other side of my soul (like how dirty water without knowing it runs a long distance to get clean…) At the moment I realized the recordings were gone I also realized it was the same thing with the music I’d been writing the last 7 years. As soon as a song was completed it was forgotten – never the same as it was in the form it took up in completion. To this day, I wish every record I ever made could be buried somewhere (along with those songs, that old house and the wreckage of the plane I went and flew blind anyways…)” – Daniel Romano

1 10 11 12 13 14