New Release: Shotgun Jimmie – “Transistor Sister”

New Release: Shotgun Jimmie – “Transistor Sister”

December 2, 2011 | Posted in: Shotgun Jimmie 0

World traveler, collaborator, under-dog, hard-working man, Shotgun Jimmie stakes his claim for the hearts and minds of millions with Transistor Sister. A much anticipated addition to a growing discography, following the solo debut The Onlys (Delorean) in 2007 (featuring the CBC Radio 3 and college radio chart-topping single “Bedhead”), and the much loved Attack in Black backed Still Jimmie (You’ve Changed) in 2009, Transistor Sister sounds a new confidence in Shotgun Jimmie, a confidence earned by the mile, by train or by busted up mini-van, on countless Canadian crossings and a couple of recent tours overseas.

Transistor Sister was written on tour in Europe and you can hear Jimmie in this new environment, telling the people he meets about back home, what it looks like, what falling in love there feels like, how we think about things like songs, and peace, and love. It’s a good way to see the world; packing light, a bunch of two minute blasts of pop perfection (“Late Last Year,” “Suzy,” “Transistor Sister”), a few all out anthemic rock hits (“King of Kreuzberg,” “Swamp Magic,” “Peace and Love”), and a couple of stellar collaborators: Ryan Peters of Ladyhawk and Lightning Dust on the drums and harmonies, and Jay Baird of the Feist live band and Do Make Say Think on bass and flute.

Transistor Sister is also the first Shotgun Jimmie album recorded in a fully operational professional studio, at Riverport NS’s The Confidence Lodge by Diego Medina, but it maintains the experimentation and spontaneous sense of creation of the best home recordings. Run down the stairs, slamming doors, grab a weed whacker from the shed and mic it through a wah pedal. It just sounds better doing it than it has before. The album was tracked and mixed in a couple of weeks at the end of August 2010, hurricane season, as the unusually warm waters off the south shore crashed and waves broke.

New Release: The Weather Station – “All of It Was Mine”

New Release: The Weather Station – “All of It Was Mine”

June 24, 2011 | Posted in: The Weather Station 0

This album was recorded stereophonically. The vocals were reproduced through a Royer 122 Microphone; rhythm, Royer 121; violin, apex 210; and guitars, Royer 121, Sennheiser 421. The session was recorded in December 2010.

At first glance, the second record by The Weather Station is a humble thing, gentle, warm. The elements are simple, finger-picked acoustics and three part harmonies, an unexpected snare drum, a stray electric guitar – the very opposite of songwriter Tamara Lindeman’s first record, the painstakingly arranged and darkly expansive The Line. And yet, All of it Was Mine is a record that appeared stubbornly.

She’d entered a studio, attempting a follow-up but was getting nowhere. Trying to do too much to the songs, trying to make them into something they weren’t. So, she took up Daniel Romano on his long-standing offer to record a few demos at his home studio in Welland, ON. The two played the songs one by one, arranging on the spot, recording with a couple of ribbon mics to a digital 8 track. From time to time, the incomparable Misha Bower (Tamara’s bandmate in Bruce Peninsula) came downstairs to sing harmonies.

Freed of expectation and ambition, safe in the hands of friends, the songs revealed themselves as folk songs, and it started to come easy. A good record is all timing, and this one was caught at just the right moment – the moment when a musician sets aside old habits and expectations, strips away the excess and finally just gets to the guts of the matter. In a matter of days, studio album abandoned, there was the record.

Lindeman’s lyrics stay close to home, detailing a creaking house in disrepair, a quiet side street, a seemingly idyllic summer; but also the heartache that comes in slyly, inexorably, as it always does, softly, like the moths that attack the flour. It’s beautiful, certainly, unabashedly so, but unsettled, all creeping nature, dirt and sweetness, accusation and acceptance. Short, small in scope, and curiously complete. Ten songs doing nothing more than speaking for themselves, quietly perhaps, but with grace, not one word out of place.

Polaris Prize Longlist

June 20, 2011 | Posted in: Daniel Romano, News, Shotgun Jimmie 0

Congratulations to Shotgun Jimmie and Daniel Romano – Transistor Sister and Sleep Beneath the Willow have been named to the 2011 Polaris Prize long list! And also to our good pals Frederick Squire (of Daniel, Fred, and Julie) and the Luyas for their nominations. We couldn’t be any happier, and have got all available fingers crossed for an invite to the party – because we like parties.

New Release: Baby Eagle – “Dog Weather”

New Release: Baby Eagle – “Dog Weather”

August 27, 2010 | Posted in: Baby Eagle, Steven Lambke 0


Dog Weather is the next great novel of my generation.”
– Paul Henderson, Chairman of the Board

Dog Weather is the new album from Baby Eagle and the latest release from You’ve Changed Records, a small Canadian label steadily building a reputation for the collaborative nature of it’s roster and the high quality of it’s product. YC co-owner and Baby Eagle songwriter Steven Lambke (Constantines) is back with a rock band featuring lablemate/co-owner Daniel Romano (Attack in Black), Shotgun Jimmie, and David Trenaman and Colleen Collins (Construction & Destruction).

The story of this record isn’t all that different from a thousand others out here. Songwriter forms a scrappy band of talented friends when their schedules allow. At the tail end of winter the aforementioned band heads to a big rural house overlooking a vast body of water. Wood is burned, dogs shit, wind howls. Meals are cooked and people sing, play instruments, and a record gets cut. Serendipity trumps bad luck.

What is different on this record, is the way its stories are told, what they describe, and the undeniable joy with which they’re played. It is a record full of natural imagery, domestic narratives and ragged characters trying to patch a wound of meaning on the world. This is a rock band shaking its wet fur dry, pulling its boot from the mud and driving another mile.

Dog Weather is the third record from Baby Eagle, and its very much of its time. Its characters standing on the other side of some fast and reckless youth, some shitty day jobs, a little scarred but settled, holding very little, outside enough love to matter. Guitars come and go like flyweights in a barnfight, the drummer is a steady, smiling underdog. “What the hell did you expect from us? What more do you want?”

Biography in the First Person:
Baby Eagle is the songs of Steven Lambke, that’s me. We discourage the term solo project and are happy in collaboration. This is something we have to do together! We, slippery devils and shadow lurkers, are not easily photographed or described. When pressed to settle upon a description we say “garage folk”. One imagines both the dusty uncovered stage in a distant corner of the folk festival, listed somewhere down the bill, misspelled, and the beer can littered basement of the punk rock show where the words are lost but the spirit remains, encoded in the noise and the having been there. We say roots, and include the protest song, the beat, and the all-ages show. (We avoid all reference to the cultural toxic of classic rock radio but are sure it remains, somewhere. That’s okay, we like that Neil Young/Bob Dylan/John Lennon song).

Steve Lambke has been in Constantines, Daniel Romano has been in Attack in Black and Daniel, Fred, and Julie, Shotgun Jimmie is Shotgun Jimmie, David Trenaman and Colleen Collins are Construction and Destruction. Together, for 3 days in January, in a house in Port Greville, NS called the Quarantine, we were Baby Eagle, one and all.

Steven Lambke and Daniel Romano are the owner/operators of You’ve Changed Records.

Dog Weather is broken bones, the public radio, the long road, the grown tall and gone to seed, the wind whistling on the lip of a bottle, the monkey in your dreams, and the two between the sheets. Dog Weather is the here and now. There ain’t no road sign at the corner, kid. You just have to know the way.

New Release: Richard Laviolette – “All of Your Raw Materials”

New Release: Richard Laviolette – “All of Your Raw Materials”

July 7, 2010 | Posted in: Richard Laviolette 0

 

Richard Laviolette writes a hundred songs a year. Songs of clever, heartfelt, rolling lyrics, sung in a strong, full voice. Echo and melody. Laviolette’s voice is a deep well of water. His lyrics are brilliant scraps of paper. Letters written home. He sings about death, anti-colonial struggle and long distance relationships.

All Of Your Raw Materials is Laviolette’s 4th Album, and his first with The Oil Spills. Originally released independently on CD in September, 2009, the album was recorded live-off-the-floor at the legendary House of Miracles in London, ON the previous summer. We got a copy at a house show in Guelph, ON, and listened to it endlessly through the fall and winter. We loved it, and we wanted everyone to hear it. You’ve Changed Records is happy to make this album widely available and to offer it for the first time on LP.

The Oil Spills are Geordie Gordon (The Magic, Barmitzvah Brothers, the Islands), Meredith Grant, Greg Denton, Mike Brooks (Kae Sun), Lisa Bozikovic, Matt Reeves, Jenny Mitchell (Barmitzvah Brothers, The Burning Hell, Jenny Omnichord). This highly talented cast step up to the plate and deliver a darling country album inspired by a childhood full of waking up on weekends to country, gospel, and bluegrass records blasting from the living room, records such as George Jones, Tammy Wynette, The Judds, Dolly Parton, Roger Miller, Lester Flatt and Earl Scruggs, Bob Wills, Neil Young’s ‘Old Ways’, and The Nitty Gritty Dirtband’s ‘Will the Circle Be Unbroken’.

Richard Laviolette has previously released Aging Recycling Plant (with the Hollow Hooves, Independent 2009), Hands and Feat(s) (Burnt Oak 2007), and A Little Less Like a Rock, A Little More Like Home (Burnt Oak 2006).

Digital and CD versions contain the songs “Body Maps” and “Two Hinges” which had to be left off of the LP version due to time constraints.

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